Paper Quilt Workshop

Last March I visited the Textile Museum in Oaxaca. While there I talked with the director of the museum about teaching a workshop this spring – 2019.

Inside the Museo Textil de Oaxaca

We looked at my website. The director liked the paper quilts I showed him and suggested that I teach a workshop of paper quilts. Yes!

Here are the images I showed him of the paper quilts that I had done. They are quilts in the sense that separate images are pieced together to make a whole.

Outside of Oaxaca, in San Agustin Etla, is a beautiful paper making workshop. Here are some photos of the workshop. The building is next to a river. The array of natural materials is used for dying the paper. The peanut shells are a mold for a textured paper. The kites by Francisco Toledo are in the gift shop, along with notebooks, paper jewelry and sheets of paper.

I bought paper when I was there last spring. When I came home I made quilts out of that paper.

This one is mostly plain paper with some painted imagery.

The painted  images were inspired by this embroidery that I saw at the textile museum. (Here is a link to a blog post that I wrote about the museum.)

This quilt has stenciled imagery, based on the same embroidery.

Here is the back of the stenciled quilt.

This spring, from March 4-7 I will be teaching a workshop on Paper Quilts at the Textile Museum in Oaxaca. On Monday we will go together in a van to the paper making workshop in San Agustin Etla. We will buy paper there for our individual projects. On Tuesday – Thursday we will return to the museum and make paper quilts – some collaborative and some individual. We will take our inspiration (and some of our materials) from the incredible Oaxacan traditions. The workshop will meet for 3 hours a day, so you will also have time to explore Oaxaca on your own.( I am not arranging housing, food or transportation). The Museum has not yet determined the cost of the workshop, but I am guessing it will be in the $30-50 range, plus another $20 to buy paper. You don’t need any special skills or talents to come- just the desire to try something new, to use your hands, and to explore Oaxaca.

If you think you might be interested in coming, please email me at jpaschkis@comcast.net and I will let you know when the cost is finally determined and when the registration becomes available. Thank you.

Vamanos!

 

 

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Daily Table

In 2014 I wrote a post here about about my love of tablecloths. (Here is a link to Tablecloths: Fabric of Life). This is chapter 2 – a further installment of daily still lives and a noting of the pleasures of the table: tablecloths, dishes, flowers, sunlight, candlelight, food and friends about to arrive.  

Last week I painted a poem on a wooden table for the upcoming Coyote Central auction. Here is the poem Te Deum by Charles Reznikoff.

Rockwell Kent

My first glimpse of Rockwell Kent’s art was on a dinner plate: Salamina. My family had a set, and they were my favorite dishes when I was a child.

Kent (1882-1971) was a famous artist and book illustrator, adventurer and political activist. He was well known for his illustrations of Moby Dick.

His prints pack a punch with their strong imagery and high contrast,

..and attention to anatomy.Last week I was looking through a book of his art and was surprised to learn that he also designed fabric! Here are some of his fabric designs.

A Moby Dick Scarf,

and repeating designs for yardage.

The book showed the textile designs in black and white, and described the colors used.  I found a few color examples of his prints on-line.

I like that Kent’s art was part of people’s lives in the form of ceramics, textiles, book illustrations and paintings.

Please click on this link to a biography of Rockwell Kent at the National Gallery of Art if you would like to know more about him.

 

 

Azulejos

The tiles of Portugal are rich in patterns. They give a similar pleasure that textiles and quilts give through repetition and the variation. Here are some photos from a recent trip.

Hop on the carriage to see some tiles!

Most of these pictures were taken at the Museo Nacional Do Azulejo (tile museum) in Lisbon, or on the streets of Lisbon and Porto. I hope these pictures inspire you to pick up your brush or needle.

Textile as Art

I’m Laurie Fairman, a long time friend of Julie’s and I had a tough time deciding what aspect of textile appreciation I would focus on when she invited me to say a bit about my love of fabrics. The photos shared here (except for the man’s attire) were taken at Honeychurch Antiques, our shop of 40 years in Seattle. 

I have had the most incredible opportunity over my lifetime as one of the owners of Honeychurch antiques and Glenn Richards to have seen and held textiles from Asia and beyond whose profound beauty fed my insatiable curiosity. Of course the subtle esoteric beauty of Japanese indigo lives on in a special place in my heart. The Japanese use rice paste rather than wax to resist the dye, but whether hand drawn or stenciled; the designs are both compellingly seductive in their simplicity, and impressively complex in their construction.

One of my favorite places to find wonderful antique indigo is at Gallery Kei in Kyoto: http://byrios.blogspot.com/2010/02/gallery-kei-in-kyoto.html

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But it is the Ethnic minority embroidered costumes of Southeast China that became a particular favorite of mine early on. The people who made these things were women who had little time to themselves when the long grueling day of tending to the family’s needs were done.  The art of decorative ornamentation on cloth defined women from an early age. The finer the needlework, the more patient, virtuous and desirable a girl is considered to be. Such women are heroines, toiling under rigourous conditions, without electricity in remote areas where all the tools needed to create these garments are hard won; they sometimes enable whole ecosystems to thrive.

Man’s attire Xinzhai Township, Yunnan

The Miao, the largest ethnic group among the many that encompass the Chinese ethnic minorities had no written language. Defeated by the Han Chinese thousands of years ago, theirs became a life of nomadic movement.The symbols woven into their decorative costumes spoke volumes of where they had been, where the aspired to going. Most importantly, they preserved the wealth of cultural heritage that defines a proud group. The costumes are referred to as “totems that are worn on the body, and epic poetry that is recorded on the clothes.”

My love of antique cloth  taught me to look more closely at hand crafted garments. Over decades of travel in search of them, I came to realize that many of these time honored traditions were being challenged by modern times. The young generation in areas we visited; China,India, Laos, Burma, Thailand, Indonesia and the Philippines often wanted to move to the bigger cities where, it was usually assumed, more glamorous jobs awaited them.  In my trips to buy for my shop, Glenn Richards, I sought villages and artist coops that supported women who chose to stay and carry on their craft. But that’s a different story. More about contemporary fabrics another time!

 

Oh Roses

Oh – Roses!

You can never have too many roses.

Roses inspired me to paint this picture, which I hope will be fabric some day.

Oh – Roses!

(For several years now Julie Little has shared buckets and buckets of her roses with me. THANK YOU JULIE.)

To see more rose laden blog-posts please click HERE and HERE.

Joy at Aljoya

An amazing show of textiles from around the world is on display now at Aljoya Senior Living – 450 NE 100th St., Seattle. I am rushing to post this blog before I leave town because the show is up until May 28th.  Seattle people can still see it.

The show includes works from the personal collection of Leslie Grace, who used to have the shop La Tienda, in Seattle.

Here are the beautiful textiles on display, with some close ups. You will have to see the show to read the tags! Otherwise just bask in the beauty of these joyful fabrics at Aljoya.